My creative process is deeply introspective. When I sit down to make my artwork, I become immersed in the forms—often losing myself in their complexity and flow. I’ve always been drawn to metal, particularly bronze, for its durability, versatility, and industrial beauty and mystery. My experience includes working in commercial foundries as well as building and maintaining my own foundry, which historically has allowed me to stay closely connected to every stage of creation.
Typically, my sculptures begin in clay or wax, serving as foundations for exploration and refinement. I prefer working on a scale that feels manageable for my size and energy, which allows me to retain physical control and emotional intimacy with each piece. I value independence in my process, relying on my own skills, which fosters a deeply personal and authentic connection to the work.
This series of pieces are influenced by the delicate yet resilient nature of flowers—especially tulips. These qualities manifest in sculptures that feel confined and self-reflective, yet pulsing with internal energy. Intersecting curves and planes carve out enclosed spaces, balancing sharp edges with soft corners and smooth forms. This interplay embodies both industrial strength and organic movement, suggesting vitality, tension, and resilience.
Each piece explores the relationship between containment and expansion—between internal forces and the structures that hold them. My most recent series includes six new cast bronze sculptures that create compact yet dynamic environments. They are designed to be intimate in scale but can also be reimagined and scaled up for larger installations. Through these forms, I aim to invite contemplation on the complexity of internal motion, stillness, and the quiet force of resilience within confinement.